The Monaco Blue color is the base coat. You won't, hopefully, be applying any LSP's to the base coat paint film.
Polishing/leveling/'correcting', as it were, the clear-coat paint film is the true way to allow the Monaco Blue color to "shine" through the clear-coat...being at it's best reflective hue. In other words the clear-coat is deemed to be
'clearer'.
Once you've attained, to your satisfaction, the clear-coat 'correction', you're goal should be protecting the clear-coat with an LSP that will, upon curing, also be
clear as possible.
The steps taken to achieve the above will allow the Monaco Blue to "shine" through now, what I consider, two (2) film coats....
-One (1) being the: As
clear as you have made possible, to your satisfaction, from being 'corrected': Clear-coat paint-film
-Two (2) being the LSP applied upon the clear-coat that hopefully has
cured to be clear also.
You don't want an LSP occluding the 'corrected' clear-coat right off the bat....When an LSP has begun its march towards its end-of-life cycle..It will begin to occlude the clear-coat paint film, causing the Monaco Blue to seem "not so shiny" as before...not as
clear, because the clear-coat paint film is occluded/grayed-out.
If you desire to layer more LSP's atop the original LSP (#2 from above)...
I will only suggest to try the:
"Cure-Clear" analogy. That's what I do.
Bob