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It's only has a 5mm orbit? That's no good
It's only has a 5mm orbit? That's no good
Interesting, I had seen it on the "CLOSEOUT" page for awhile. I own one and actually replaced my FLEX 3401 with it. I now own a collector's item!
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Talk to me about your guitar playing?
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Let's talk, Paul. That's my Marshall Slash SL5 combo in the pic........another collector's item, like the Makita. Ha! I'm currently playing a Taos Turquoise Eric Johnson Strat and a Roasted Ash Custom Shop Stratocaster with handwound Fat 50s pickups. I've sold my PRSi and my Les Pauls. Other amplification would be a Marshall Class 5 head into an Avatar 2x12 cab and a Bumbox 1W head (basically a 1 watt JCM800 head).
The Class 5’s are amazing. I had a Gen1 & Gen 2 which I just I just sold.
Nice on EJ strat! I have a 50th w/ Seymour cool rails in the bridge & 93 LP Custom. I just sold my beloved Tele Jr Custom Shop.
For amps - Dr Z Maz 38 / Z-Best 2x12 and a Dr Z Carmen Ghia 1x12. All hand wired, point to point and 60’s NOS tubes. Pedals are Analog Man, Xotic, Zen Drive, Wampler, Fulltone etc... plus a little Vox AC 5.
Dr Z (mainly used by Brad Paisley & Joe Walsh). Who can afford a Dumble??? But I want one!
My fav guitar aside from the Tele Jr was a 95 Parker Fly Deluxe. I sold the Tele Jr to the original owner who told me if I want it back... we’ll probably trade it back a few more times.
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LOL! I have had a love hate relationship with my LP since 93!
Wow you parted with a CG & Maz 18? If my 38 was an 18 I’d me happy.. I have a Z-Brake which helps.... Doc’s idea of 18 watts is not realistic..
I used to take the two class 5’s and use an A+B switch and run them both at gigs. What a tone!
The Z’s are nice but overkill in volume. The CG is nice on a studio when in a iso room you can dime the volume for a solo.. ha!
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p.s. I’d love a PRS Custom 22. I think Paul gets it right about 99.9% of the to time. He’s a genius.
I think being an Audiofile is equal to detailing. At least the personality traits are there. I’ve been through golden ears training, can tell the difference between old stock 60’s tubes and new Chinese...
“Tube swapping” - the ultimate OCD!
After 2 years at BU (Boston University) for Audio Production, and producing a record that got signed, and the artist got nominated for a Buddy Guy music award... What I’ve found is Audio Production is like detailing. There is a systematic process, discerning qualities, artistic form and freedom, a bit of risk, but at the end of the day, there is a process and a knowledge of the tools. Passion and an ear to the ground is a must. Every detail must me focused on. And after 800 hrs on a 4 song EP, you can say “it’s done” with confidence.
For those with interest here is the EP I engineered and produced, tracks 1-4.
Pledging My Time | Peter Parcek
Ironically, all tracks except track 4 was done with a Marshall Class 5. lol.
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