We all know that working with black paint, whether soft or hard CC, is the most patience testing, scrutinizing, pain staking process. I've done many black cars from full correction to an AIO.
I've noticed that, say I have a gloss non metallic black Toyota Rav 4, if I use a rather light combo such as a LC White CCS pad with M205 or Wolfgang Finishing Glaze, if I use any more pressure than maybe 2-3 lbs of pressure more than the machine, it leaves hazing and tick marks in the wake of my passes.
If I let up the pressure, merely guiding the machine with the weight of my hand along with faster arm movements (2inches per second or so) I really don't see those marks or the hazing.
Is this common practice for those working on Porsche, Toyota, Lexus or any other black paint that is very prone to heavy pressure induced defects?
Are there any other "definitive" tips on how to work with black paint as a whole?
I've noticed that, say I have a gloss non metallic black Toyota Rav 4, if I use a rather light combo such as a LC White CCS pad with M205 or Wolfgang Finishing Glaze, if I use any more pressure than maybe 2-3 lbs of pressure more than the machine, it leaves hazing and tick marks in the wake of my passes.
If I let up the pressure, merely guiding the machine with the weight of my hand along with faster arm movements (2inches per second or so) I really don't see those marks or the hazing.
Is this common practice for those working on Porsche, Toyota, Lexus or any other black paint that is very prone to heavy pressure induced defects?
Are there any other "definitive" tips on how to work with black paint as a whole?