Joe@NextLevelDetail
New member
- Jun 4, 2015
- 1,929
- 0
Thin pads transfer the mechanical energy from the machine to the paint better, giving you more opms and that ='s more correction power.
The cons of thin pads is they do not contour to any major curved/contoured edge. Making pad stall more likely as the pad is not thick enough to conform to the panel.
Thicker pads, are just that thicker = more weight for the backing plate to move, meaning the higher center of gravity that the pad adheres to the backplate. And that means the top of the pad kind of acts like a shock absorber and all of the energy doesn't translate as well as the lower profile pads, however they do conform better over contours and hard areas, as the pad has more material to conform to that particular panel.
I still use both, there is no right or wrong answer.
I have a saying "artist do not only just use one brush to create their masterpiece"
Sent from my SM-N920V using Tapatalk
The cons of thin pads is they do not contour to any major curved/contoured edge. Making pad stall more likely as the pad is not thick enough to conform to the panel.
Thicker pads, are just that thicker = more weight for the backing plate to move, meaning the higher center of gravity that the pad adheres to the backplate. And that means the top of the pad kind of acts like a shock absorber and all of the energy doesn't translate as well as the lower profile pads, however they do conform better over contours and hard areas, as the pad has more material to conform to that particular panel.
I still use both, there is no right or wrong answer.
I have a saying "artist do not only just use one brush to create their masterpiece"
Sent from my SM-N920V using Tapatalk