Mike,
From my (admittedly limited) time behind the lens, white balance plays a huge role in the color of your pictures - those taken under halogens but not set for such land up coming out blue etc. and just switching from auto to 'tungsten' and 'fluorescent' can have a dramatic effect depending on the light you are shooting in.
Hope this helps a little
I've tried changing the white balance setting and haven't seen good results.
Here's what I need, (not want), I need one or two settings I can set my camera to,
1. Outside pictures of cars in the sun
2. Inside pictures in our studio of before, process and after pictures
I don't have the luxury of time to fiddle with camera settings. My photography style is what I call,
Fast & Furious
That is, I get in, get the shot and get out. For everything.
You ever go to a car show and see some clown framing up a shot of a car and then waiting and waiting for the crowd to get out of the way? Maybe getting frustrated?
That guy needs to go to the
Mike Phillips school of photography, that is get in, get the shot and move on.
But... I'll test the white balance setting some more, maybe get Meghan or Yancy to work with me as they are "actual photographers" with a lot more knowledge, training and experience.
^Glad you are taking some time to play around with the camera mike!
I'm forced to as too many of my shots with the new camera have not been coming out the way I need for documenting cars. I also don't have time to sift through zillions of photos trying to find just "one" that will tell the story.
If you tend to leave your aperture in the same value, you can try "aperture priority mode" and see if it suits your needs. This setting allows you to set the aperture value and ISO value (unless using auto ISO), and the camera will choose (what it thinks is) the appropriate shutter speed.
I'll try that with the
BMW 525i coming in tomorrow for a project.
If you find you need to adjust the exposure, you can manipulate it using the "Exposure Compensation" settings which tell your camera to over or underexpose the scene by whatever value you choose. This can be useful for white or black cars where the camera might think the room is darker or brighter than it really is because of the color of your subject.
That's too much to bite-off and try to digest for right now...
^White balance is an important factor... this is one of the reasons I shoot in RAW. White balance is easily adjusted and corrected in post processing to yield the most accurate representation of what you were actually seeing.
